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Kaman helped come up with a solution that combined wood with a new synthetic plastic material that provided insulation.However, management was not interested in his ideas.Kaman and his technicians began by building traditional square-backed guitars, but by the sixth prototype were using oscilloscopes to develop the now familiar bowl-backed shape, its spherical shape being self-reinforcing, thus eliminating the need for bracing.After some experimentation, the carved, round-crowned Ovation three-and-three headstock was developed.As a result he ended up with lots of cracked backs, including one on a favorite Martin.
C., where he showed his guitar to jazz guitar great Charlie Byrd.
Kaman offered to buy Martin guitars, but was politely turned down.
A second offer was refused, but the idea didn’t die. Guitars Back at the blade factory was a worker who played violin.
Of course, as the philosopher, Hegel, so neatly noted long ago, the paths tend to join up again, and the resulting synthesis works out fine in the end. Kaman (rhymes with command), born in 1918, the son of a construction crew foreman. Kaman subsequently attended the University of Washington, D.
It certainly worked that way for Charlie Kaman, whose choice of paths ultimately led to the synthesis (in more ways than one! At 12 or 13, Kaman began playing an old Stella acoustic guitar, later switching to a Martin C-7. C., studying aeronautical engineering, and his guitar fix was supplied by playing clubs with a little jazz combo in his spare time.